Montecassino 871
Abbazia di Montecassino, Ms 871. Assembled in a Benedictine monastery in Naples, it contains an eclectic mixture of Neapolitan secular songs and sacred repertoire. Its core composers are Cornago and […]
Read MoreAbbazia di Montecassino, Ms 871. Assembled in a Benedictine monastery in Naples, it contains an eclectic mixture of Neapolitan secular songs and sacred repertoire. Its core composers are Cornago and […]
Read MoreChoirbook copied around 1480 with Marian repertoire. Compositions by Compere, Josquin, Obrecht…. For more details: Musical life in Vienne View Facsimile
Read MoreYou may consult Prof Atwell’s Ockeghem Homepage! http://library.ferris.edu/scott/ockeghem.html Download literature list below Attached file: Ockeghem-Literatur.doc.doc (9568 downloads, 411 KB)
Read MoreThis edition opens a new enterprise, the edition of all the masses of Johannes Ockeghem. The edition is based on Ms Chigi, Biblioteca Apostolica Ms. Chigi C VIII 234. A […]
Read MoreWith the Missa Caput we are opening a complete edition of all of Johannes Ockeghem’s masses. Each of them can be seen as an exemplary solution to various compositional problems. […]
Read MoreBiblioteca Apostolica Vaticana, Ms. Chigi C VIII 234, f. 9v-106r. This mass has perhaps caused the most controversy of all Ockeghem’s masses. There have been repeated discussions about how many […]
Read MoreBiblioteca Apostolica Vaticana, C VIII 234 f. 19v-24r: Facsimile Codex Chigi Edition in modern keys: Download edition modern keys Edition in original keys: Download
Read MoreUnique source: Bilbioteca Apostolica Vaticana, Ms. Chigi C VIII 234, f. 45v-53r. Edition in modern keys: Download Edition in original keys Download
Read MoreBiblioteca apostoloica Vaticana, Ms. Chigi, C VIII 234, f. 35v-45r Edition in modern keys: Download Edition in originalen Schlüsseln: Download
Read MoreBiblioteca Apostolica Vaticana Ms. Chigi C VIII 234, f. 60v-63r This mass is closely related to the mass Au travail suis (see the introducion to both masses in this series!). Edition modern […]
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