Topoi and Melodic Morphology in the Operas of Donizetti Rodney Stenning Edgecombe For as long as there has been literature in the world, there have also been genres, the institutions […]
Read MoreIn this thesis I investigate transformational practices in the secular music of mid-fifteenth-century German sources. At the heart of the research are case studies of the Lochamer Liederbuch with its […]
Read MoreAbdruck aus: Johannes Brahms als Liedkomponist Steiner Verlag Stuttgart 1992, S. 191-211 to view download below: http://www.goldbergstiftung.org/file/brahms.pdf
Read MoreGrazyna Golik-Szarawarska WAGNERIANISMUS IN DEN ÜBERSETZUNGEN DER GRIECHISCHEN DRAMATISCHEN DICHTUNG VON TADEUSZ ZIELINSKI Summary: Wagnerianism in Tadeusz Zieliński’s Translations of Greek Tragedies. Tadeusz Zielinski (1859 – 1944) was not only […]
Read MoreSix years separate two major works by Mozart, both share the tonality A major and both include a variation movement. But the expectations of genre and the placement of the […]
Read MoreOriginally published in: Studien zur Musikgeschichte. Festschrift Ludwig Finscher, Bärenreiter 1996, p. 88-99 WAS ZITIERT COMPÈRE? Topos, Zitat und Paraphrase in den Regrets-Chansons von Hayne van Ghizeghem und Loyset Compère […]
Read MoreIn Josquin’s chansons de regretz we find a kind of autopoiesis, a poetic string of self citations from one piece to the other. The topic is dealing with loss and […]
Read MoreOriginally published in: Quellenstudium und musikalische Analyse. Festschirft Martin Just, Würzburg 2001, pp. 1-22. Werk, Quelle, Analyse: Betrachtungen zum Chansonnier Nivelle de la Chaussée Schon ein oberflächlicher Blick über die […]
Read MoreLaya Harbater Silber Yiddish Art Songs By Israeli-Born Composers: A New Stylistic Interpretation Israelis who compose Yiddish art music do not do so in order to pay tribute to a […]
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