This is the next important and comprehensive chansonnier of the Loire group. For more details see Clemens Goldberg, Das Chansonnier Laborde, Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts, Laaber […]
Read MoreThis is the first installment of the recently discovered Leuven Chansonnier. The facsimiles can be seen in the facsimile section of our foundation. These are the 12 unica of Leuven […]
Read MoreThis is the first complete edition of the recently discovered Leuven Chansonnier. It is a prime source connected to the so called Loire Chansonnier close to the French court. It […]
Read MoreFor the first time we present an edition of the recently found Leuven Chansonnier. It turns out to be a central source for the circle around Ockeghem, Busnois and Barbingant. […]
Read MoreThis very fine chansonnier of French provenance around the years 1480-90 is almost an antology of chansons by Agricola and Hayne van Ghizeghem. Recent scholarship attributes its collection to Anne […]
Read MoreThe so called Lorraine chansonnier belonged to Antoine, duke of Lorraine and contains repertoire of the court of Louis XII. Many known chansons are by Agricola, Compere and van Ghizeghem. […]
Read MoreJohannes Martini (ca. 1440-ca. 1497) was trained in Flanders and worked mostly in Ferrara and Milan. The most important sources of his secular work are Casanatense and Florence 229. His […]
Read MoreThis chansonnier was collected under the supervision of Johannes Tinctoris in Naples around 1475. It is a major source for the chansons of his friend Antoine Busnois (cf. collected chansons […]
Read MoreOckeghem’s Missa Prolationum is one of the most impressive contrapuntal works in music history. It is wholly comprised of canons, mostly two pairs of independent canons. The most amazing ones […]
Read MoreComplete edition of the chansons by Clemens Goldberg, all rights remain with the editor and this foundation. Partly several versions from different sources. You may also consult Clemens Goldberg, Die […]
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