Dufay opera omnia, Alejandro Planchart
This is a link to DIAMM where you can find Planchart’s edition of Dufay’s Opera omnia online! https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/
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This is a link to DIAMM where you can find Planchart’s edition of Dufay’s Opera omnia online! https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/
Read MoreOckeghem’s chanson Dun autre amer is found in no less than 17 sources. Its popularity is due to its expressive, emotional and refined character. There are numerous fantasies, motets and two masses […]
Read MoreReal Monasterio de San Lorenzo del Escorial, Biblioteca del Moasterio, Ms IV a 24. This collection of songs from Milan or Naples around 1450-65 is of the utmost importance for […]
Read MoreFirenze, Biblioteca Nazionale Centrale, Ms Magl. XIX 176 Chansons of great importance, unica of very high quality of the generation of Dufay and English provenance. Collected around 1480. Very close […]
Read MoreFirenze, Biblioteca Nazionale Centrale, Ms. Magl. XIX.178 Manuscript with songs and fantasies of the late 1490s from Florence. Almost an anthology of Alexander Agricola. Further composers are Isaac, Martini, van […]
Read MoreFlorence 229 is the biggest and most extensive chansonnier from the end of the 15th century. It contains many unica and a very important number of chansons by Martini, Isaac, […]
Read MoreJohannes Ockeghem’s chanson Fors seulement lattente que je meure is on of the most original creations of its genre around 1470. The unusual range of voices (due to the text […]
Read MoreGaffurius codices online is a website dedicated to the four manuscripts of polyphonic music prepared by Franchinus Gaffurius for the Duomo of Milan in the decades around 1500. Gaffurius (1451–1522), […]
Read MoreHayne van Ghizeghem is one of the most popular chanson composers of the second half of the 15th century. After an affiliation with Burgundy he was probably close to French […]
Read MoreWe do not know the composer of one of the most famous chansons of the 15th century, “Jay pris amours a ma devise”. It is stylistically close to the Binchois-Ockeghem […]
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