Trent 87
The edition of Trent 87 (we follow the standard English spelling) is the first complete edition to be published here. Trent 87 is closely related to the recently published edition […]
The edition of Trent 87 (we follow the standard English spelling) is the first complete edition to be published here. Trent 87 is closely related to the recently published edition […]
Turin, Biblioteca Nazionale Universitaria manuscript J.II.9 We are pleased to present a partial edition of this most important and extensive source of the Cypriotic repertoire of the 15th century. It’s […]
This article marshals much current information on the 41 motets in the manuscript Turin J.II.9, it suggests a few more likely western influences for individual works, and investigates their sometimes […]
Der forschende Musicus# is a non-profit cultural association that combines musical practice with scholarly curiosity and serves as a hub for the latest knowledge on various topics relating to historically […]
Aosta, Seminario Maggiore, Biblioteca, Codex 15 This codex, which is so important for the sacred repertoire of the period 1410–40, is published here for the first time. It contains many […]
Bologna, Civico Museo Bibliografico Musicale, Ms Q 17 The manuscript was created around 1490, presumably in Florence. The repertoire (almost entirely without text and partly with incorrect incipits) offers numerous […]
Ottaviano Petrruci, Canti C Numero Cento Cinquanta (1504) Instrumental compositions by Ghiselin, Japart, Josquin, Isaac… Canti C edition modern keys Canti C edition original keys
François Devienne (1759–1803) was a leading virtuoso on the traverso and bassoon, but also a prolific composer of operas. His instrumental methods for his instruments were particularly influential. His influence […]
Bologna Q 15 Civico Museo Bibliografico Musicale Ms. Q 15 This source is by far the most comprehensive and important source of sacred works by Ciconia, Dufay, Arnold, Hugo de […]
This is a very good partial edition still waiting to be completed as Enrique Planchart could not finish it during his life time. https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/