Trent 88, Robert Mitchell ed.
First complete edition by Robert Mitchell on DIAMM: online on DIAMM
First complete edition by Robert Mitchell on DIAMM: online on DIAMM
Bologna, Biblioteca universitaria, Ms. 2216 The source was compiled before 1440, largely in Brescia. It bears a close resemblance to Bologna Q 15, with versions that are often almost identical. […]
The edition of Trent 87 (we follow the standard English spelling) is the first complete edition to be published here. Trent 87 is closely related to the recently published edition […]
Turin, Biblioteca Nazionale Universitaria manuscript J.II.9 We are pleased to present a partial edition of this most important and extensive source of the Cypriotic repertoire of the 15th century. It’s […]
This article marshals much current information on the 41 motets in the manuscript Turin J.II.9, it suggests a few more likely western influences for individual works, and investigates their sometimes […]
Der forschende Musicus# is a non-profit cultural association that combines musical practice with scholarly curiosity and serves as a hub for the latest knowledge on various topics relating to historically […]
Aosta, Seminario Maggiore, Biblioteca, Codex 15 This codex, which is so important for the sacred repertoire of the period 1410–40, is published here for the first time. It contains many […]
Bologna, Civico Museo Bibliografico Musicale, Ms Q 17 The manuscript was created around 1490, presumably in Florence. The repertoire (almost entirely without text and partly with incorrect incipits) offers numerous […]
Ottaviano Petrruci, Canti C Numero Cento Cinquanta (1504) Instrumental compositions by Ghiselin, Japart, Josquin, Isaac… Canti C edition modern keys Canti C edition original keys
François Devienne (1759–1803) was a leading virtuoso on the traverso and bassoon, but also a prolific composer of operas. His instrumental methods for his instruments were particularly influential. His influence […]