Leuven Chansonnier Unica
This is the first installment of the recently discovered Leuven Chansonnier. The facsimiles can be seen in the facsimile section of our foundation. These are the 12 unica of Leuven […]
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This is the first installment of the recently discovered Leuven Chansonnier. The facsimiles can be seen in the facsimile section of our foundation. These are the 12 unica of Leuven […]
WeiterlesenThis is the first complete edition of the recently discovered Leuven Chansonnier. It is a prime source connected to the so called Loire Chansonnier close to the French court. It […]
WeiterlesenFor the first time we present an edition of the recently found Leuven Chansonnier. It turns out to be a central source for the circle around Ockeghem, Busnois and Barbingant. […]
WeiterlesenThis very fine chansonnier of French provenance around the years 1480-90 is almost an antology of chansons by Agricola and Hayne van Ghizeghem. Recent scholarship attributes its collection to Anne […]
WeiterlesenThe so called Lorraine chansonnier belonged to Antoine, duke of Lorraine and contains repertoire of the court of Louis XII. Many known chansons are by Agricola, Compere and van Ghizeghem. […]
WeiterlesenSince Ludwig Finschers path breaking edition Comperes works were awaiting a new edition with the knowledge of new sources and work on parallel sources. All rights remain with the editor […]
WeiterlesenJohannes Martini (ca. 1440-ca. 1497) was trained in Flanders and worked mostly in Ferrara and Milan. The most important sources of his secular work are Casanatense and Florence 229. His […]
WeiterlesenThis chansonnier was collected under the supervision of Johannes Tinctoris in Naples around 1475. It is a major source for the chansons of his friend Antoine Busnois (cf. collected chansons […]
WeiterlesenBruxelles, Bibliothèque Royale, Ms. 5557 This mass is doubtfully ascribed to “Ockam” in the source. In Vatican, Capella Sistina Ms. 51 there is an ascription to “Cornelius Heyns” who does […]
WeiterlesenIn Cappella Sistina Ms. 14 ist eine herrliche Messe überliefert, die sehr gut von Dufay stammen könnte. Die reiche Harmonik und die eleganten Duos sprechen deutlich für ihn. Die Vorlage […]
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