This chansonnier was collected under the supervision of Johannes Tinctoris in Naples around 1475. It is a major source for the chansons of his friend Antoine Busnois (cf. collected chansons […]
WeiterlesenBruxelles, Bibliothèque Royale, Ms. 5557 This mass is doubtfully ascribed to “Ockam” in the source. In Vatican, Capella Sistina Ms. 51 there is an ascription to “Cornelius Heyns” who does […]
WeiterlesenAbbazia di Montecassino, Ms 871. Diese sehr umfangreiche Quelle wurde in einem benediktinischen Kloster in Neapel zusammengefügt. Die weltlichen Stücke und vor allem die geistlichen Werke (Psalmen, Magnificats, Lamentationes) sind […]
WeiterlesenOckeghem’s Missa Prolationum is one of the most impressive contrapuntal works in music history. It is wholly comprised of canons, mostly two pairs of independent canons. The most amazing ones […]
WeiterlesenComplete edition of the chansons by Clemens Goldberg, all rights remain with the editor and this foundation. Partly several versions from different sources. You may also consult Clemens Goldberg, Die […]
WeiterlesenThe edition of Helen Hewitt and Isabel Pope of Harmonice Musices Odhecaton A by Ottaviano Petrucci View Moreover, there is a full recording available online! listen
WeiterlesenOxford Bodleian Library Ms. Canon. Misc. 213 Diese monumentale Quelle wird hier erstmals insgesamt und einheitlich ediert. Sie enthält mehrheitlich weltliche Stücke, aber auch isorhythmische Motetten und Messsätze, die ca. […]
WeiterlesenThis source contains monophonic songs and provides some texts for polyphonic settings. You may consult this edition! View
WeiterlesenThe chansonnier Pixérécourt (Paris Bibliothèque Nationale fr. 15123) is one of the largest collections of French and Italien chansons collected around 1485. Copyright remains with the author Clemens Goldberg, please […]
WeiterlesenChansonnier from the 1480s with a lot of works by Pietrequin Bonnel, Compere and Agricola, but also rare motets by Dufay and Okeghem. This is the first generally available edition […]
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