This<\/i> article<\/i> marshals<\/i> much<\/i> current<\/i> information<\/i> on<\/i> the<\/i> 41<\/i> motets<\/i> in<\/i> the<\/i> manuscript<\/i> Turin<\/i><\/p>\n
J.II.9, it<\/i> suggests<\/i> a<\/i> few<\/i> more<\/i> likely<\/i> western<\/i> influences<\/i> for<\/i> individual<\/i> works,<\/i> and<\/i> investigates<\/i><\/p>\n
their sometimes<\/i> dissonant<\/i> four-part<\/i> textures.<\/i> The<\/i> likelihood<\/i> of<\/i> some<\/i> of<\/i> the<\/i> motet<\/i> texts<\/i> being<\/i><\/p>\n
by<\/i> a single<\/i> author<\/i> is<\/i> also<\/i> investigated,<\/i> and<\/i> it<\/i> is<\/i> proposed<\/i> that<\/i> many<\/i> of<\/i> these<\/i> motets<\/i> may<\/i><\/p>\n
share<\/i> a common<\/i> composer.<\/i> The<\/i> author<\/i> is<\/i> a<\/i> freelance<\/i> scholar<\/i> who<\/i> has<\/i> previously<\/i> written<\/i> about<\/i><\/p>\n
the<\/i> Mass Ordinary<\/i> settings<\/i> in<\/i> the<\/i> same<\/i> manuscript<\/i> and<\/i> has<\/i> also<\/i> done<\/i> much<\/i> editorial<\/i> and<\/i><\/p>\n
research<\/i> work on<\/i> the<\/i> later<\/i> Trent Codices.<\/i> My thanks for perusal and help with this article go to<\/i><\/p>\n
Margaret Bent and Mike Beauvois, and to Jeff Begeal for assistance with some of the texts.<\/i><\/p>\n