{"id":3310,"date":"2025-11-10T22:49:40","date_gmt":"2025-11-10T21:49:40","guid":{"rendered":"https:\/\/www.goldbergstiftung.org\/francois-devienne-trios\/"},"modified":"2025-11-10T22:52:15","modified_gmt":"2025-11-10T21:52:15","slug":"francois-devienne-trios","status":"publish","type":"post","link":"https:\/\/www.goldbergstiftung.org\/en\/francois-devienne-trios\/","title":{"rendered":"Fran\u00e7ois Devienne Trios"},"content":{"rendered":"<p>Fran\u00e7ois Devienne (1759\u20131803) was a leading virtuoso on the traverso and bassoon, but also a prolific composer of operas. His instrumental methods for his instruments were particularly influential. His influence can still be felt in Berlioz&#8217;s Instrumental Method.<\/p>\n<p>His trios for flute, violin and cello are genuine chamber music, but with virtuoso passages. They are published here for the first time from an engraving in the Biblioth\u00e8que Nationale de Paris.<\/p>\n<p>Translated with DeepL.com (free version)<\/p>\n<p><a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-1-Flute.pdf\" target=\"\">Devienne Trios Bd. 1 Flute<\/a><br \/>\n<a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-2-Flute.pdf\" target=\"\">Devienne Trios Bd. 2 Flute<\/a><br \/>\n<a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-1-Violon.pdf\" target=\"\">Devienne Trios Bd. 1 Violon<\/a><br \/>\n<a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-2-Violon.pdf\" target=\"\">Devienne Trios Bd. 2 Violon<\/a><br \/>\n<a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-1-Violoncelle.pdf\" target=\"\">Devienne Trios Bd. 1 Violoncelle<\/a><br \/>\n<a href=\"https:\/\/www.goldbergstiftung.org\/wp-content\/uploads\/2025\/11\/Devienne-Trios-Bd.-2-Violoncelle.pdf\" target=\"\">Devienne Trios Bd. 2 Violoncelle<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fran\u00e7ois Devienne (1759\u20131803) was a leading virtuoso on the traverso and bassoon, but also a prolific composer of operas. His instrumental methods for his instruments were particularly influential. His influence [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[83,88],"tags":[],"class_list":["post-3310","post","type-post","status-publish","format-standard","hentry","category-buecherei-en","category-editionen-online-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/3310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/comments?post=3310"}],"version-history":[{"count":1,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/3310\/revisions"}],"predecessor-version":[{"id":3311,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/3310\/revisions\/3311"}],"wp:attachment":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/media?parent=3310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/categories?post=3310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/tags?post=3310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}