{"id":1374,"date":"2018-11-22T11:42:07","date_gmt":"2018-11-22T10:42:07","guid":{"rendered":"http:\/\/patrickjullien.de\/Goldbergstiftung\/?p=1374"},"modified":"2020-07-27T11:53:56","modified_gmt":"2020-07-27T09:53:56","slug":"bologna-q-16-complete-edition-civico-museo-bibliografico-musicale","status":"publish","type":"post","link":"https:\/\/www.goldbergstiftung.org\/en\/bologna-q-16-complete-edition-civico-museo-bibliografico-musicale\/","title":{"rendered":"Bologna Q 16 Complete Edition, Civico Museo Bibliografico Musicale"},"content":{"rendered":"

This Neapolitan manuscript from before 1487 is now for the first time completely available. It contains a lot of pieces destined to be played instrumentally and thus an invaluable source in this respect. Another highlight is the only 3 part L’homme arm\u00e9-mass, unique to this source.<\/p>\n

Download for private or performance use permitted; all rights remain with the editor Clemens Goldberg and the foundation.
\nThe score was written with the CMME program. We thank Ted Dumitrescu for his help.
\nPlease donate for the use of this edition<\/p>\n

08v-9r, Des biens damours<\/a>
\n09v-10r, Lisa dea damisella<\/a>
\n10v-11r, Vostre amour<\/a>
\n11v-12r, Vostre rigueur<\/a>
\n12v13r, De vous regarder seulement<\/a>
\n13v-14r, Jay bien honore<\/a>
\n14v-15r, Loysot denisot<\/a>
\n15v-16r, Dides moy toutes<\/a>
\n16v-17r, Per la absencia<\/a>
\n17v-18r, Jusca rascon<\/a>
\n18v-19r, Je vous congnois<\/a>
\n19v-20r, Merci vos<\/a>
\n20v-21r, Je me conciens<\/a>
\n21v-22r, Dieu damors-Malheur me bat<\/a>
\n22v-23r, Aime la plus bella-Puisque si bien<\/a>
\n23v-24r, Je suis en grant<\/a>
\n24v-25r, Dictes le moy<\/a>
\n25v-26r, Mon bien imparfait<\/a>
\n26v-27r, La taurina<\/a>
\n27v-28r, Amours amours<\/a>
\n28v-30r, A qui dirai je ma pensee<\/a>
\n30v-31r, A une dame<\/a>
\n31v-32r, Veullies moy amer ma dame<\/a>
\n32v-33r, Tu me congnois<\/a>
\n33v-34r, Je men voys<\/a>
\n34v-35r, Mirando lochyi<\/a>
\n35v-36r, Qui es Ame<\/a>
\n36v-37r, Pour vous servir<\/a>
\n37v-38r, Jamais dieux<\/a>
\n38v-39r, Departes vous<\/a>
\n39v-40r, Tu me comandes<\/a>
\n40v-42r, Terribile fortuna (Ma vostre cueur)<\/a>
\n42v-43r, Nostre dame de jonette<\/a>
\n43v-44r, Cassans en dist damer<\/a>
\n44v-45r, Madame trop vous mesprenez<\/a>
\n45v-46r, Trop suis<\/a>
\n46v-47r, Nul ne me doit<\/a>
\n47v-48r, Advegne que venir pourra<\/a>
\n48v-49r, Se doulx penser<\/a>
\n49v-50r, Merdonz ete<\/a>
\n50v-51r, Avironne de deul<\/a>
\n51v-52r, Cela sans plus<\/a>
\n52v-53r, Environ la saint valentin<\/a>
\n53v-54r, Lautre iour par ung matin<\/a>
\n54v-55r, Jone dame<\/a>
\n55v-56r, Je nay ne joye ne liesse<\/a>
\n56v-57r, De piage core duro<\/a>
\n57v-58r, Helas comment aves<\/a>
\n58v-59r, Sa peine perd<\/a>
\n59v-61r, Je ne demande lialte<\/a>
\n61v-62r, De vostre amour suis empris<\/a>
\n62v-63r, Ung amoureux vieux<\/a>
\n63v-64r, Ma tressouveraine princesse<\/a>
\n64v-65r, Vous naves point le cuer certain<\/a>
\n65v-66r, Par ung tout seul escondire<\/a>
\n66v-67r, Madame faites moy savoir<\/a>
\n67v-68r, Quant seray je clame<\/a>
\n68v-69r, Hahu haula<\/a>
\n69v-70r, Sil estoit vray<\/a>
\n70v-71r, Plus que pour mille vivant<\/a>
\n71v-72r, Ce nest pas moy<\/a>
\n72v-73r, Les Amours<\/a>
\n73v, La bassa castiglia<\/a>
\n74v-75r, Fault il que je perde<\/a>
\n74r, Se dio scendesse in terra<\/a>
\n75v-76r, Quien se podra<\/a>
\n76v-77r, Blandis loquens sermonibus<\/a>
\n77v, Sayre ne puis<\/a>
\n78r, Fo qui pronare<\/a>
\n78v-79r, Venando de mi ciudado<\/a>
\n79v-80r, Pour lamour de ma<\/a>
\n80v-81r, Ma maistresse<\/a>
\n81v-82r, Madame et souveraine maistresse<\/a>
\n82v-83r, Ce nest pas sans<\/a>
\n83v-84r, La plus mignonne<\/a>
\n84v-85r, Rayson aviti<\/a>
\n85v-86r, Per la goula<\/a>
\n86v-87r, Lassare amore<\/a>
\n87v-88r, I sideri vostri<\/a>
\n88v-89r, Je ne demano de vos<\/a>
\n89v-90r, Amadores sospirar<\/a>
\n90v-91r, Chanson des redictes<\/a>
\n91v-92r, Vire la galee<\/a>
\n92v-93r, La Martinella<\/a>
\n93v-94r, Entrepris suis pour<\/a>
\n94v-95r, Lautre dantan<\/a>
\n95v-96r, Nos espante mi partida<\/a>
\n96v-97r, Puisque cest force<\/a>
\n97v-98r, Che feray las<\/a>
\n98v-99r, Le serviteur Duo<\/a>
\n100r-101v, Lomme arme Kyrie<\/a>
\n101v-103r, Lhomme arme Gloria<\/a>
\n103v-106r, Lhomme arme Credo<\/a>
\n106v-108r, Lhomme arme Sanctus<\/a>
\n108v-110r, Lhomme arme Agnus<\/a>
\n110v-111r, Faisons grant chyere<\/a>
\n111v-112r, Sans avoir fait<\/a>
\n112v-113r, Je suis seulet<\/a>
\n112v-()-115r, O generosa – Je suis seulet<\/a>
\n113v-114r, Per Zenteleze<\/a>
\n115v-116r, De placebo la vita mia<\/a>
\n116v-117r, Hemi hellas<\/a>
\n117v-119r, Reyne muy noble<\/a>
\n119v-120r, Gardez le trait<\/a>
\n120v-121r, Ja la plains<\/a>
\n121v-122r, Lent et scolorito (Vive madame)<\/a>
\n122v-123r, Laisssez dangier<\/a>
\n123v-124r, Loing de vo tresdoulce presence<\/a>
\n124v-125r, En voyant sa dame<\/a>
\n125v-126r, A ceste derraine venue<\/a>
\n126v, Soit danoix lay<\/a>
\n127r, Sera ne lo cor mio<\/a>
\n127v-128r, Jabandonne le souhaitier<\/a>
\n128v-129r, Helas que pourra advenir<\/a>
\n129v-130r, Cuides vous quil ait assez<\/a>
\n130v-131r, Rose plaisante<\/a>
\n131v-132r, Fortune par ta cruaute<\/a>
\n132v-133r, Fortuna desperata<\/a>
\n133v-134r, De tous biens plaine<\/a>
\n134v-135r, Nunca fue pena maior<\/a>
\n135v-137r, Si dedero somnum<\/a>
\n137v-138r, Le souvenir de vous me tue<\/a>
\n138v-138r, Jay pris amours a ma devise<\/a>
\n139v-140r, Ay que non se<\/a>
\n140v-142r, La rocca de fermes<\/a>
\n142v-143r, O gloriosa regina<\/a>
\n143v-144r, Alla cacza<\/a>
\n144v-145r, De vos y de mi quejoso<\/a>
\n145v-146r, Dux carolus<\/a>
\n146v-147r, Cent mille escus<\/a>
\n147v-148r, Con gran disdigno<\/a>
\n148v-149r, La plus dolente<\/a>
\n151v, Recordare domine<\/a>
\n152v-153r, Cochilic (Dune belle jeune fille)<\/a><\/p>\n

 <\/p>\n

Download<\/h2>\n

Original Clefs (PDF)<\/a>
\nModern Clefs (PDF)<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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