{"id":1350,"date":"2018-11-22T11:32:27","date_gmt":"2018-11-22T10:32:27","guid":{"rendered":"http:\/\/patrickjullien.de\/Goldbergstiftung\/?p=1350"},"modified":"2018-11-22T11:32:27","modified_gmt":"2018-11-22T10:32:27","slug":"alexander-agricola-instrumental-fantasias","status":"publish","type":"post","link":"https:\/\/www.goldbergstiftung.org\/en\/alexander-agricola-instrumental-fantasias\/","title":{"rendered":"Alexander Agricola, Instrumental fantasias"},"content":{"rendered":"<p>The codices Basevi and Casanatense and the prints in Canti C and Odhecaton provide outstanding examples of purely instrumental fantasias in a quite modern style. I think it very likely that these pieces were played by a consort of early viols.<\/p>\n<p>All rights remain with the editor Clemens Goldberg and Goldberg Stiftung. Personal use and use for concerts are permitted and encouraged.<br \/>\nPlease donate for our ongoing work!<\/p>\n<h2>Online Player<\/h2>\n<p><a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Amours amours<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Caecus non iudicat<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Comme femme I<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Comme femme II<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Comme femme III<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">De tous biens plaine I<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">De tous biens plaine II<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">De tous biens plaine III<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">De tous biens plaine IV<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">De tous biens plaine V<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Dung aultre amer I<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Dung aultre amer II<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Dung aultre amer III<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Dung aultre amer IV<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Lomme banni<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">O Venus bant I<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">O venus bant II<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Pater meus agricola est<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Tandernaken<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Tout a par moy I<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Tout a par moy II<\/a><br \/>\n<a href=\"http:\/\/goldbergstiftung.org\/player\/?q=155#\">Velupern laet ons<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>Downloads<\/h2>\n<p><a href=\"http:\/\/www.goldbergstiftung.org\/file\/agrinstrgesamtalt.pdf\" target=\"_blank\" rel=\"noopener\">Original Clefs (PDF)<\/a><br \/>\n<a href=\"http:\/\/www.goldbergstiftung.org\/file\/agrinstrgesamtneu.pdf\" target=\"_blank\" rel=\"noopener\">Modern Clefs (PDF)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The codices Basevi and Casanatense and the prints in Canti C and Odhecaton provide outstanding examples of purely instrumental fantasias in a quite modern style. I think it very likely [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[83,88],"tags":[],"class_list":["post-1350","post","type-post","status-publish","format-standard","hentry","category-buecherei-en","category-editionen-online-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/comments?post=1350"}],"version-history":[{"count":1,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1350\/revisions"}],"predecessor-version":[{"id":1351,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1350\/revisions\/1351"}],"wp:attachment":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/media?parent=1350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/categories?post=1350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/tags?post=1350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}