{"id":1328,"date":"2018-11-22T11:19:43","date_gmt":"2018-11-22T10:19:43","guid":{"rendered":"http:\/\/patrickjullien.de\/Goldbergstiftung\/cappella-giulia-chansonnier\/"},"modified":"2020-07-27T13:00:48","modified_gmt":"2020-07-27T11:00:48","slug":"cappella-giulia-chansonnier","status":"publish","type":"post","link":"https:\/\/www.goldbergstiftung.org\/en\/cappella-giulia-chansonnier\/","title":{"rendered":"Cappella Giulia Chansonnier"},"content":{"rendered":"

Rom, Vatikanstaat, Biblioteca Vaticana, Cappella Giulia XIII.27<\/p>\n

Florentine Chansonnier from 1492-94 closely related to the Medici family. Major source for Agricola and Isaac, some purely instrumental pieces. As there is not a single text it is very likely that the whole manuscript was conceived for instrumental use.<\/p>\n

All rights remain with the Goldberg Stiftung and the editor Clemens Goldberg. Private use and use for concerts welcome.<\/p>\n

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07v-09r, Palle palle<\/a>
\n09v-10r, En effet se ne reprenez<\/a>
\n10v-11r, Amours fait moult – Tant que<\/a>
\n11v-12r, Comment peult avoir joye<\/a>
\n12v-13r, Maudit soit<\/a>
\n13v-14r, Adieu mes amours<\/a>
\n14v-15r, Notres assouenien<\/a>
\n15v-16r, O Venus bant<\/a>
\n16v-17r, Se une fois avant<\/a>
\n17v-18r, Dung aultre la<\/a>
\n18v-19r, Que vous madame-In pace<\/a>
\n19v-20r, Je ne fay plus<\/a>
\n20v-21r, Mire vous sire<\/a>
\n21v-22r, Revis en espoir<\/a>
\n22v-24r, De to\\’ biens plaine<\/a>
\n24v-25r, De to biens plaine<\/a>
\n25v-26r, Si dedero<\/a>
\n26v-27r, Jay bien rise (Jay bien nouri)<\/a>
\n27v-28r, Ales regret<\/a>
\n28v-29r, Nunca fue pena mayor<\/a>
\n29v-30r, Penses bien<\/a>
\n30v-31r, Selle par amours<\/a>
\n31v-32r, Questa mia dame<\/a>
\n32v-34r, Maule met (Wat willen wij metten)<\/a>
\n34v-35r, Una mosque de bisqualla<\/a>
\n35v-36r, Guarde vostre visage<\/a>
\n36v-38r, La Martinella<\/a>
\n38v-39r, Tante laffano (Le despourvu)<\/a>
\n39v-40r, He logierons nous<\/a>
\n40v-41r, Fortune par ta cruaute<\/a>
\n41v-42r, Cent meille escus<\/a>
\n42v-43r, Vous navez point le cueur certain<\/a>
\n43v-44r, Soit loing ou pres<\/a>
\n44v-45r, Des biens (damours)<\/a>
\n45v-47r, Je nay de dueil<\/a>
\n47v-48r, Ha traistre amours<\/a>
\n48v-49r, Vostre bargeronette<\/a>
\n49v-50r, En efait (Quel remede)<\/a>
\n50v-52r, Leure est venue-Circumdederunt<\/a>
\n52v-53r, Mon souvenir me fait mourir<\/a>
\n53v-54r, Donzella non me culpeys (Mais que ce fust)<\/a>
\n54v-55r, Helas quelle est a mon gre<\/a>
\n55v-56r, Recordans de mia signora<\/a>
\nRecordans de mia signora, Version 2<\/a>
\n56v-57r, Nuit et jour<\/a>
\n57v-58r, Benedictus<\/a>
\n58v-59r, Nel cuor si destruge<\/a>
\n59v-60r, Meyor deste non ay<\/a>
\n60v-61r, Je ne suis point<\/a>
\n61v-62r, Je cuyde se ce temps me dure<\/a>
\n62v-63r, Nec mihi nec tibi<\/a>
\n63v-64r, Fortuna desperata (2)<\/a>
\n63v-64r, Fortuna desperata (1)<\/a>
\n64v-65r, De tous biens plaine (2)<\/a>
\n64v-65r, De tous biens plaine (1)<\/a>
\n65v-66r, Le souvenir<\/a>
\n66v-67r, Jay pris amours (Japart)<\/a>
\n67v-68r, La tortorella<\/a>
\n68v-69r, En attendant<\/a>
\n69v-71, Filles vous avez mal garde<\/a>
\n71v-72r, Helas que pourra devenir<\/a>
\n72v-73r, Maleur me bat<\/a>
\n73v-75r, Quis dabit capiti meo aquam<\/a>
\n75v-76r, La Martinella<\/a>
\n76v-77r, Ma bouche rit<\/a>
\n77v-78r, De tous biens Agricola<\/a>
\n78v-79r, Allez regretz Agricola<\/a>
\n79v-80r, Recorre al corazon<\/a>
\n80v-81r, Et qui la dira<\/a>
\n81v-82r, Gentil gallans<\/a>
\n82v-83r, Se je fays bien<\/a>
\n83v-84r, Hellas que pourra devenir (Isaac)<\/a>
\n84v-85r, Le seviteur<\/a>
\n85v-86r, Vostre bruit et vostre grant fame<\/a>
\n86v-87r, Cela sans plus<\/a>
\n87v-88r, De vous servir<\/a>
\n88v-89r, Comme femme desconfortee<\/a>
\n89v-90r, Il nest vivant<\/a>
\n90v-91r, La Morra Isaac<\/a>
\n91v-92r, Gracias av os donzella<\/a>
\n92v-93r, Par ung chies do cure<\/a>
\n93v-94r, Tart ara mon cueur<\/a>
\n94v-95r, Vray dieu quel paine<\/a>
\n95v-96r, A une dame jay fait voeu<\/a>
\n96v-97r, Adieu bon temps<\/a>
\n97v-98r, Voles oir une chanson<\/a>
\n98v-99r, Fortuna desperata Isaac<\/a>
\n99v-100r, Adieu joye<\/a>
\n100v-101r, Faites moy ung tout seul plaisir<\/a>
\n101v-102r, Mes pensees<\/a>
\n102v-103r, Dites moy toutes<\/a>
\n103v-104r, Madame qui tant est<\/a>
\n104v-105r, Fors seulement<\/a>
\n105v-106r, Ce nest pas jeu<\/a>
\n106v-107r, Vire la galee<\/a>
\n107v-108r, Amours amours<\/a>
\n108v-109r, Toutes doux<\/a>
\n109v-111r, Comme femme Agricola<\/a>
\n111v-112r, Je suis amye du fourier<\/a>
\n112v-113r, Dun autre amer<\/a>
\n113v-114r, Dun autre-Lomme arme<\/a>
\n114v-115r, Advegne que venir pourra<\/a>
\n115v-116r, Quel remede de monstrer<\/a>
\n116v-117r, Une sans plus a mon desir<\/a>
\n117v-118r, Comment peut avoir yoye<\/a>
\n118v-119r, Digau a lei donzella<\/a>
\n119v-120r, La doy je aymer<\/a>
\n120v-121r, O vie fortunee<\/a>
\n121v-123r, A la mignonne de fortune<\/a>
\n123v-124r, Le paragon<\/a>
\n124v-125r, Dictes moy belle vos pensees<\/a><\/p>\n

 <\/p>\n

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Rom, Vatikanstaat, Biblioteca Vaticana, Cappella Giulia XIII.27 Florentine Chansonnier from 1492-94 closely related to the Medici family. Major source for Agricola and Isaac, some purely instrumental pieces. As there is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[83,88],"tags":[],"class_list":["post-1328","post","type-post","status-publish","format-standard","hentry","category-buecherei-en","category-editionen-online-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/comments?post=1328"}],"version-history":[{"count":1,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1328\/revisions"}],"predecessor-version":[{"id":2039,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/posts\/1328\/revisions\/2039"}],"wp:attachment":[{"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/media?parent=1328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/categories?post=1328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.goldbergstiftung.org\/en\/wp-json\/wp\/v2\/tags?post=1328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}