Fors seulement
Johannes Ockeghem’s chanson Fors seulement lattente que je meure is on of the most original creations of its genre around 1470. The unusual range of voices (due to the text […]
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Johannes Ockeghem’s chanson Fors seulement lattente que je meure is on of the most original creations of its genre around 1470. The unusual range of voices (due to the text […]
Read MoreGaffurius codices online is a website dedicated to the four manuscripts of polyphonic music prepared by Franchinus Gaffurius for the Duomo of Milan in the decades around 1500. Gaffurius (1451–1522), […]
Read MoreThis edition is indebted to Werner Rehms edition. However, there are corrections in the texts and in some musical detail. View edition
Read MoreKraków, Biblioteka Jagiellońska Ms 40098 Glogau presents a vast collection of sacred (hymns, antiphons, responsories, etc. ) and secular (Fantasias, dances) pieces. It was assembled around 1480 in Zagań, probably […]
Read MoreHayne van Ghizeghem is one of the most popular chanson composers of the second half of the 15th century. After an affiliation with Burgundy he was probably close to French […]
Read MoreAs the first edition by Clytus Gottwald from 1963 is quite outdated, this may be a very welcome edition to rediscover this prominent, elegant and refined composer! View edition
Read MoreThis is a very important and useful website. Not only there are hundreds of pieces of the Ockeghem-Josquin generation edited, they can be listened to and you may even find […]
Read MoreThe secular work of Juan Cornago is rather small in number but very influential historically. Cornago was mainly employed by the Aragonese court in Naples. view edition
Read MoreThis is an extremely useful and well worked out edition of the Kopenhagen Chansonnier (The Royal Library, MS Thott 291 8°), one of the so called Loire Chansonniers. There are […]
Read MoreThis is the next important and comprehensive chansonnier of the Loire group. For more details see Clemens Goldberg, Das Chansonnier Laborde, Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts, Laaber […]
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